COLOR WHEEL SONG - COLOR WHEEL


Color wheel song - Drag car wheels - Gold alloy wheels.



Color Wheel Song





color wheel song






    color wheel
  • A circle with different colored sectors used to show the relationship between colors

  • color circle: a chart in which complementary colors (or their names) are arranged on opposite sides of a circle

  • A color wheel or color circle is either: * An abstract illustrative organization of color hues around a circle, that show relationships between primary colors, secondary colors, complementary colors, etc.

  • Colors arranged in a certain order in the shape of a circle.





    song
  • A short poem or other set of words set to music or meant to be sung

  • the act of singing; "with a shout and a song they marched up to the gates"

  • a distinctive or characteristic sound; "the song of bullets was in the air"; "the song of the wind"; "the wheels sang their song as the train rocketed ahead"

  • A musical composition suggestive of a song

  • a short musical composition with words; "a successful musical must have at least three good songs"

  • Singing or vocal music











color wheel song - Sesame Street




Sesame Street - Kids' Favorite Songs 2


Sesame Street - Kids' Favorite Songs 2



Sesame Street - Kids' Favorite Songs 2 DVD Join Elmo and his Sesame Street pals in the second volume of Kids' Favorite Songs, as Elmo travels up and down Sesame Street asking kids to sing their favorite songs! Snuffy, Baby Bear, and Zoe help the kids sing and act out nursery rhymes, lullabies, and just plain silly songs. Sing along and find out for yourself which song is Elmo's favorite! Also features the brand-new segment, Hero Guy!Product Measures: 0.5 x 5.4 x 7.5 INRecommended Ages: 12 months & up

Somewhere into the so-so "Itsy Bitsy Spider" segment, the sinking feeling that Kids' Favorite Songs 2 is strictly sequel material sets in. This is a march down Sesame Street on a slow day, when the loopy monster misunderstandings and goofball gags miss a rare beat or two. Still, making merry is what the Sesame crew does best, and they succeed here, if on a less brilliant level than we've come to expect. All the usual favorites, like "If You're Happy and You Know It" and "The Ants Go Marching," get the gang and their real-life kid friends grooving, and a running joke involving a renegade meatball keeps kids 18 months to 5 tuned in to the end. Elmo hosts. --Tammy La Gorce










76% (11)





Gypsy Woman Necklace..$150.00




Gypsy Woman Necklace..$150.00





You are looking at the Gypsy Woman Necklace..
3 Strands of luxurious Genuine Gemstones..Czech Fire polished beads...And Bali Silver, with a 3 inch extender.

This Necklace is my Pride and Joy! It is freeing to wear. I can envision this necklace on a beautiful shapely Gypsy woman with long flowing hair strolling through the local market. Everyone notices her grace and her Mysterious Bohemian presence.

They are in awe of her. Whispers follow as she passes by. "Who is she?" "Is she a Gypsy Enchantress?"
No One Knows But the necklace she wears can be yours and this fantasy as well. Are you the Mysterious Gypsy Woman that has just stumbled upon her long lost necklace?


*THIS NECKLACE IS 27 INCHES AND CAN BE EXTENDED TO 29 Inches.

This Necklace was created by the flow of the Color wheel using only the cool colors. The shape of the beads is very alluring and suggest a woman's hourglass figure..They start large at the top then drape down thin as if it is her waist then widen again for her hips. This hourglass curvature demands that the beads drape perfectly and are heaviest at the center so it hangs beautifully!

The clasp is a Bali 3 Strand Round Clasp with a 3 inch extender chain and a very charming heart dangle.


The stones in this Necklace are, Unakite, crazy lace agate, bloodstone jasper, ruby in zoisite, chrysocolla, olive jade, green aventurine, turquoise, chalk turquoise, blue marble, lapiz lazuli, apatite nuggets, blue labrodorite, blue crazy lace agate, Mauve pearl, amethyst, amethyst nuggets, Purple sleeping beauty turquoise, crazy horse jasper, purple chalk turquoise, Mexican black line rhodonite, rhodochrosite, and Pink Coral, copper peacock pearls, ocean jasper, fancy jasper, garnet.

**If you have Questions, Please feel free to convo me!** I can also send you more pictures if you are interested.
Thanks for looking and have a Wonderful Day******

***SHIPPING IS FREE AND IT WILL COME GIFT BOXED!****

THE SONG THAT INSPIRED THIS BEAUTIFUL NECKLACE.........

"Gypsy Woman"

(As recorded by Brian Hyland)
CURTIS MAYFIELD

From nowhere through a caravan
Around a campfire light
A lovely woman in motion with hair as dark as night
Her eyes were like that of a cat in the dark
They hypnotized me with love.

She was a gypsy woman
She was a gypsy woman.

She danced around and 'round to a guitar melody
From the fire her face was all aglow
How she enchanted me
Oh how I'd love to hold her near
And kiss and forever whisper in her ear.

I love you gypsy woman
I love you gypsy woman.

All through the caravan
She was dancing with all the men
Waiting for the rising sun, everyone was having fun
I hate to see the lady go, knowing she'll never know
That I love her, I love her.

Gypsy woman
I love you gypsy woman
I love you gypsy woman
I love you gypsy woman
I love you gypsy woman.












A Song for America: The Times They Are A-Changing




A Song for America: The Times They Are A-Changing





On Independence Day, here is a song for America. It was true then and I hope that it’s still true today.


Come gather 'round people
Wherever you roam
And admit that the waters
Around you have grown
And accept it that soon
You'll be drenched to the bone.
If your time to you
Is worth savin'
Then you better start swimmin'
Or you'll sink like a stone
For the times they are a-changin'.

Come writers and critics
Who prophesize with your pen
And keep your eyes wide
The chance won't come again
And don't speak too soon
For the wheel's still in spin
And there's no tellin' who
That it's namin'.
For the loser now
Will be later to win
For the times they are a-changin'.

Come senators, congressmen
Please heed the call
Don't stand in the doorway
Don't block up the hall
For he that gets hurt
Will be he who has stalled
There's a battle outside
And it is ragin'.
It'll soon shake your windows
And rattle your walls
For the times they are a-changin'.

Come mothers and fathers
Throughout the land
And don't criticize
What you can't understand
Your sons and your daughters
Are beyond your command
Your old road is
Rapidly agin'.
Please get out of the new one
If you can't lend your hand
For the times they are a-changin'.

The line it is drawn
The curse it is cast
The slow one now
Will later be fast
As the present now
Will later be past
The order is
Rapidly fadin'.
And the first one now
Will later be last
For the times they are a-changin'.


The Times They Are A-Changing
by Bob Dylan

I always thought that Bob Dylan sang the definitive version of this, but at the end of the HBO movie, The Josephine Baker Story, Lynn Whitfield sings a version of it that I found extremely moving.









color wheel song








color wheel song




Kidsongs - Cars, Boats, Trains and Planes






Join the fun as the Kidsongs Kids sing along, aboard all kinds of trucks, an antique car, a boat and even a bulldozer. Chug along on the Daylight Train, fly high above the clouds in a jet plane in Wild Blue Yonder and soar through the sky in a giant hot air balloon to Up, Up and Away. These ten great music videos will keep you going!
Songs include: Car Car Song, Daylight Train, Up and Down Round and Round, Row Row Row Your Boat, I Got Wheels, Up Up and Away, Where Oh Where Has My Little Dog Gone, I Like Trucks, U.S. Air Force (Wild Blue Yonder), The Bus Song.










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COST OF REPLACING WHEEL BEARINGS : REPLACING WHEEL BEARINGS


COST OF REPLACING WHEEL BEARINGS : ANCIENT WATER WHEELS : LAWN MOWER WHEELS FOR SALE



Cost Of Replacing Wheel Bearings





cost of replacing wheel bearings






    wheel bearings
  • The assemblies that permit smooth rotation between the wheel hub and spindle.





    replacing
  • Take the place of

  • (replace) substitute a person or thing for (another that is broken or inefficient or lost or no longer working or yielding what is expected); "He replaced the old razor blade"; "We need to replace the secretary that left a month ago"; "the insurance will replace the lost income"; "This antique

  • Fill the role of (someone or something) with a substitute

  • (replace) supplant: take the place or move into the position of; "Smith replaced Miller as CEO after Miller left"; "the computer has supplanted the slide rule"; "Mary replaced Susan as the team's captain and the highest-ranked player in the school"

  • Provide or find a substitute for (something that is broken, old, or inoperative)

  • replacement: the act of furnishing an equivalent person or thing in the place of another; "replacing the star will not be easy"





    cost
  • the total spent for goods or services including money and time and labor

  • monetary value: the property of having material worth (often indicated by the amount of money something would bring if sold); "the fluctuating monetary value of gold and silver"; "he puts a high price on his services"; "he couldn't calculate the cost of the collection"

  • (of an object or an action) Require the payment of (a specified sum of money) before it can be acquired or done

  • Involve (someone) in (an effort or unpleasant action)

  • be priced at; "These shoes cost $100"

  • Cause the loss of











1961 Rolls Royce Silver Cloud II Cabriolet 38




1961 Rolls Royce Silver Cloud II Cabriolet 38





Rolls-Royce Limited was a British car, and from 1914, aero-engine manufacturing company founded by Charles Stewart Rolls and Henry Royce on 15 March 1906 as the result of a partnership formed in 1904.
After the First World War, Rolls-Royce successfully avoided attempts to encourage the British car manufacturers to merge. Faced with falling sales of the Silver Ghost caused by the deteriorating economic situation, the company introduced the smaller, cheaper Twenty in 1922, effectively ending the one-model policy followed since 1908.
In 1931, the company acquired rival car maker Bentley, whose finances were unable to weather the Great Depression. From then until 2002, Bentley and Rolls-Royce cars were often identical apart from the radiator grille and minor details.
In 1933, the colour of the Rolls-Royce radiator monogram was changed from red to black because the red sometimes clashed with the coachwork colour selected by clients, and not as a mark of respect for the passing of Royce as is commonly stated.
Rolls-Royce and Bentley car production moved to Crewe in 1946, and also to Mulliner Park Ward, London, in 1959, as the company started to build bodies for its cars for the first time: previously it had built only the chassis, leaving the bodies to specialist coachbuilders.
The Rolls-Royce Silver Cloud was the core model of the Rolls-Royce Motor Cars range from April 1955 until March 1966. It replaced the Silver Dawn and was, in turn, replaced by the Silver Shadow.
The J. P. Blatchley design was a major change from the pre-war models and the highly derivative Silver Dawn.
The Silver Cloud II was introduced in 1959. Little changed externally but it now had a 6.2 L V8 engine, which pushed the weight to 2.11 tonnes. Performance was greatly improved and top speed was raised to 183 km/h (114 mph), but the main improvements were in acceleration and torque. Power steering became standard. Electrically operated windows were now available as an option.
Although the improved performance of the new car was welcomed, commentators of the time noted that the V8 engined Silver Cloud II was neither as quiet nor as smooth as the straight-six cylinder engined Silver Cloud I, despite the new engine's hydraulic tappet operation. The new wet-linered V8 was also a little cramped in an engine bay intended originally for a narrower unit: in order to change the sparking plugs it was necessary to remove the front wheel on the car's right side. There seems to have been a problem with crankshaft breakages in the earlier V8s: this was blamed on lack of lubrication to the bearings.
The basic architecture of the Silver Cloud II did not change between 1959 and 1963, but there were numerous minor changes implemented, notable among them a succession of improvements to the ventilation system. Interior changes in 1961 included the adoption of blue instrument lighting, the introduction of a combined indictator / headlamp flasher switch and of a handbrake warming light. A remodelled rear light assembly was introduced in May 1962 and a change to single sealed-beam headlamps was made in August 1962.
The Motor magazine tested a Series II in 1960. They recorded a top speed of 104.7 mph (168.5 km/h), acceleration from 0-60 mph (97 km/h) in 10.9 seconds and a fuel consumption of 13 miles per imperial gallon (22 L/100 km; 11 mpg-US). The test car cost ?6092 including taxes.
This car was prominently featured in the romantic comedy movie “Come September” starring Rock Hudson and Sophia Lollobrigida.












Barack Obama Times Square NYC Billboard Replaced with Mount Rushmore add campaign b&w black and white image




Barack Obama Times Square NYC Billboard Replaced with Mount Rushmore add campaign b&w black and white image





The Weatherproof outerwear company removed their unauthorized Barack Obama billboard in Times Square New York City and replaced the location with a new presidential themed design using an image of Mount Rushmore which features sculptures of George Washington, Thomas Jefferson, Theodore Roosevelt, and Abraham Lincoln for there add campaign.

Sarah Palin was considered to be in the replacement add campaign.

The original billboard — Weatherproofs, that is — uses an Associated Press news photo from Obamas trip to China. It features Obama standing by the Great Wall, wearing a Weatherproof jacket, with the tag line: A Leader in Style.

Weatherproof had purchased the right to use the photo, but the agreement required the company to seek any necessary clearances for use. A White House lawyer contacted the company on Jan. 8 and asked that they remove the billboard.


Photo by
Ryan Janek Wolowski
New York City
February 4th 2010









cost of replacing wheel bearings







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FOO FIGHTERS WHEELS CHORDS AND LYRICS. FOO FIGHTERS WHEELS


Foo Fighters Wheels Chords And Lyrics. Deals On Wheels Kansas.



Foo Fighters Wheels Chords And Lyrics





foo fighters wheels chords and lyrics






    foo fighters
  • (Foo fighter) The term foo fighter was used by Allied aircraft pilots in World War II to describe various UFOs or mysterious aerial phenomena seen in the skies over both the European and Pacific Theater of Operations.

  • An unidentified flying object of a kind reported by US pilots during World War II, usually described as a bright light or ball of fire

  • Foo Fighters is the debut album by Foo Fighters, at the time of conception, a pseudonym for Dave Grohl who wrote and recorded the entire album himself at Robert Lang Studios in Seattle, Washington, prior to organizing a band.

  • The Foo Fighters are an American hard rock band from Seattle, Washington, formed in 1995. Drummer Dave Grohl formed the group as a one-man project after the dissolution of his previous band, Nirvana, in 1994.





    wheels
  • A circular object that revolves on an axle and forms part of a machine

  • Used in reference to the cycle of a specified condition or set of events

  • (wheel) a simple machine consisting of a circular frame with spokes (or a solid disc) that can rotate on a shaft or axle (as in vehicles or other machines)

  • (wheel) change directions as if revolving on a pivot; "They wheeled their horses around and left"

  • A circular object that revolves on an axle and is fixed below a vehicle or other object to enable it to move easily over the ground

  • steering wheel: a handwheel that is used for steering





    chords
  • (chord) play chords on (a string instrument)

  • (chord) a combination of three or more notes that blend harmoniously when sounded together

  • Play, sing, or arrange notes in chords

  • (chord) a straight line connecting two points on a curve





    lyrics
  • The words of a song

  • Lyric poetry as a literary genre

  • A lyric poem or verse

  • (lyric) the text of a popular song or musical-comedy number; "his compositions always started with the lyrics"; "he wrote both words and music"; "the song uses colloquial language"

  • (lyric) expressing deep emotion; "the dancer's lyrical performance"

  • (lyric) write lyrics for (a song)











foo fighters wheels chords and lyrics - Wasting Light




Wasting Light


Wasting Light



Produced by Butch Vig and mixed by Alan Moulder, Wasting Light was recorded entirely on analog tape in the garage of Grohl s home in California s San Fernando Valley. The no computers/no software back to basics approach has resulted in arguably the strongest and most cohesive effort of the band s 15-year-plus career: From first single Rope to the frenetic opener Bridge Burning to the beautifully bipolar These Days to stunning guest spots from Bob Mould ( Dear Rosemary") and Krist Novoselic ("I Should Have Known"), Wasting Light is a singular triumph: a band that s headlined arenas, stadiums and festivals the world over stripping itself down to the bare essentials and coming up with a world class band s finest hour.










88% (8)





Foo Fighters




Foo Fighters





Foo Fighters at Allstate Arena, 2/25/2008, Rosemont (Chicago). Dave on the acoustic stage.











Foo Fighters




Foo Fighters





Foo Fighters, Quartfestivalen. Photo: Kim Erlandsen, NRK P3









foo fighters wheels chords and lyrics








foo fighters wheels chords and lyrics




Greatest Hits Foo Fighters






2009 collection from Dave Grohl and the Foos including two brand new tracks, 'Wheels' and 'Word Forward', both recorded with producer Butch Vig (who also produced Grohl's former band, Nirvana!). This excellent collection features some of the finest melodic Rock released in the last 15 years including 'The Pretender', 'All My Life', 'Learn To Fly', 'Best of You', 'Times Like These', 'My Hero', 'Everlong', and many more.
DVD Track Listing: 1.I'll Stick Around 2.Big Me 3.Monkey Wrench 4.Everlong 5.My Hero 6.Walking After You 7.Learn To Fly 8.Next Year 9.All My Life 10.Times Like These 11.Low 12.Best Of You 13.DOA 14.Resolve 15.The Pretender 16.Long Road To Ruin 17.Wheels 18.Everlong (live from Everywhere But Home) 19.Breakout (live from Hyde Park) 20.Skin And Bones (live from Skin And Bones) 21.All My Life (live from Wembley)










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HISTORY OF THE MEDICINE WHEEL. HISTORY OF THE


History of the medicine wheel. Fifth wheel hitches edmonton. How to build wagon wheels.



History Of The Medicine Wheel





history of the medicine wheel






    medicine wheel
  • Since 50 states werenit enough, yuppie New Agers stole this ritual so they could use it to fix flat tires on their mountain bikes and Jeeps.

  • A stone circle built by North American Indians, believed to have religious, astronomical, territorial, or calendrical significance

  • A large circular pattern made on the ground through the placement of stones. The patterns could include other rings, spokes and cairns. The Blackfoot indians used these kinds of structures as part of a death lodge to inter famous and powerful warriors.

  • Medicine wheels, or sacred hoops, were constructed by laying stones in a particular pattern on the ground. Most medicine wheels follow the basic pattern of having a center of stone(s), and surrounding that is an outer ring of stones with "spokes", or lines of rocks radiating from the center.





    history of
  • ecology | evolutionary biology | geography | model organisms | molecular biology | paleontology

  • heres a brief explanation of the word *** and how it can be used in everyday life. enjoy!











history of the medicine wheel - Buffalo Woman




Buffalo Woman Comes Singing (Religion and Spirituality)


Buffalo Woman Comes Singing (Religion and Spirituality)



"This vibrant book of wonders speaks true and dreams deep. Writng with blazing honesty she tells of her hard-won knowledge of many of the world's spiritual and healing traditions, while hold the Sacred Hoop of Natie Amreicanwisdom. This magnificent teacher becomes for us a new embodiment of White Buffalo Woman."
Jean Houston
Author of THE SEARCH FOR THE BELOVED
BUFFALO WOMAN COMES SINGING explores fascinating uses of traditions like the Medicine Wheel; healing through ritual action; dreamtime; and the moon lodge -- the woman's place of retreat and visioning. These powerful personal tools integrate ancient wisdom with contemporary experience, as Buffalo Woman calls each spiritual warrior to her own true place in the dance of life.










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Right before getting wheeled in to the O.R.




Right before getting wheeled in to the O.R.





This is before they came and got me and wheeled me into the operating room. I was starting to hurt a bit, as the pain medication I had taken the night before was finally wearing off (oxycodone ~ thank God it's 12 hour) but overall was feeling ok. I was looking forward to having the source of the pain *GONE* and out of my life. I wasn't as nervous as I usually am before surgery at this point... I was mostly just thinking, "OK let's get this over with..."

One of the surgery assistants came and he wheeled me down the hall, to the elevator... Erik came behind us and held my hand in the elevator, and then we parted ways ~ he went to get coffee and wait in the waiting area, and I, into the OR area. The assistant wheeled me over to a wall, and said, "OK wait here, we'll come and get you in a minute," and walked off to go talk about the iPad with some other people who looked like other surgery assistants.

A few minutes later the anesthesiologist came and spoke with me about what would be going on, asked out my medical history, confirmed that I'm the patient they thought I was, and then he patted my hand and said the doctor would be out to speak with me in a minute.

So then there was a little more waiting, in which time I was still laying on the bed in the hallway, listening to the conversations in the hall around me and trying not to start feeling really incredibly nervous... and then my doctor came out and spoke with me. We went over some last minute things, concerns and such, and she told me what was going to happen during and after surgery, and I asked if I could use a restroom and she reassured me that I would have a catheter during surgery but that of course it was ok if I went before, too. A nurse came and showed me to a bathroom, and I went (I'm always super nervous before surgery and have to pee even when I don't really have to pee :p )... And then I got back on the bed and they wheeled me into the operating room. ~ I didn't really pay much attention to the room itself (or if I did I don't remember it, which is more likely). The only thing I remember is that there was an instrument that was covered in what looked like a long black tea cosy, and I was thinking, Is that the Laparoscope?? If so how is it possibly sterile?! ~ And there was white tile and white sheets, and a big circular thingy ... Zac you're probably laughing at this description right now, I have no idea what all this stuff was. It was like a circle with lights set into a big white boxy thingy (and the machine that goes *Ping!*). Oh and a window area that looked like where people go to wash up...?

Anyway... They had me move over to the operating table and they laid me down. I felt someone (a nurse?) place their hands on the sides of my head and stroke my forehead a little, reassuring... Then the anesthesiologist said, "OK things are going to get a little fuzzy around the edges, just go ahead and let yourself go to sleep," and I started counting backward in my head from 99 (habit left over from the other times I've been under). By 96 I was starting to wonder what the next number would be :: lol :: At about 94 my eyes kept closing and I could feel the surgery tech people or nurses, whoever it was doing it, strapping my legs and arms down to the table (common so that patients don't fall off I guess?) ~ and by 90 everything was suddenly very soft and black.

Next thing I knew I was waking up shaking and spazzing and hurting a *LOT*, and feeling really sick to my stomach, and then arguing with the nurse because she gave me the wrong medicine (she gave me fentanyl, which it even says in my chart I react badly to :: grr :: )... and then arguing with her again minutes later because she wouldn't let me get up and go to the bathroom. ~ Post-anesthesia recovery was the worst time I had honestly... after they finally agreed to let me go to the bathroom (this was after they threatened to call security on me ~ HA HA HA :p :p ~ they decided I was well enough to be discharged, and had someone come and wheel me back upstairs. I must have slept for that part, because I don't remember that at all...

Next thing I remember I was back in this room, the room I was in before surgery, and Erik came in and saw me and gave me hugs, and helped me get dressed. A nurse came with a wheelchair, and Erik went and got the car and... then I was able to go home! =]











"Sacred Hoop" or "Medicine Wheel," Indian Museum and Native American Culture Center, South Dakota - 18x24 Digital Photo Painting : Gone to Look for America - Patrick Alan Swigart © 2007 USA




"Sacred Hoop" or "Medicine Wheel," Indian Museum and Native American Culture Center, South Dakota - 18x24 Digital Photo Painting : Gone to Look for America - Patrick Alan Swigart © 2007 USA





Found: It is with great interest that I watch the current PBS series "We Shall Remain." It is told by Native American Indian Peoples and spans many cultures and shares many regional perspectives, but most importantly it is their own. You get to know these important peoples and learn valuable perspectives about such notable figures from Tecumseh to Geronimo. From time to time it brings to mind something I read long ago and heard Joseph Campbell refer to many times. This is the passage from "Black Elk Speaks" by John G. Neihardt:

"Then a Voice said: 'Behold this day, for it is yours to make. Now you shall stand upon the center of the earth to see, for there they are taking you.' . . . Then I was standing on the highest mountain of them all, and round about beneath me was the whole hoop of the world. And while I stood there I saw more than I can tell and I understood more than I saw; for I was seeing in a sacred manner the shapes of all things in the spirit, and the shape of all shapes as they must live together like one being. And I saw that the sacred hoop of my people was one of many hoops that made one circle, wide as daylight and as starlight, and in the center grew one mighty flowering tree to shelter all the children of one mother and one father. And I saw that it was holy."

This is as good a description or vision of the connectedness and interconnectedness of the things and beings of this world that we live in as you will ever find.









history of the medicine wheel








history of the medicine wheel




Four-wheel Drive: Webster's Timeline History, 1864 - 2007






Webster's bibliographic and event-based timelines are comprehensive in scope, covering virtually all topics, geographic locations and people. They do so from a linguistic point of view, and in the case of this book, the focus is on "Four-wheel Drive," including when used in literature (e.g. all authors that might have Four-wheel Drive in their name). As such, this book represents the largest compilation of timeline events associated with Four-wheel Drive when it is used in proper noun form. Webster's timelines cover bibliographic citations, patented inventions, as well as non-conventional and alternative meanings which capture ambiguities in usage. These furthermore cover all parts of speech (possessive, institutional usage, geographic usage) and contexts, including pop culture, the arts, social sciences (linguistics, history, geography, economics, sociology, political science), business, computer science, literature, law, medicine, psychology, mathematics, chemistry, physics, biology and other physical sciences. This "data dump" results in a comprehensive set of entries for a bibliographic and/or event-based timeline on the proper name Four-wheel Drive, since editorial decisions to include or exclude events is purely a linguistic process. The resulting entries are used under license or with permission, used under "fair use" conditions, used in agreement with the original authors, or are in the public domain.










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HOT WHEELS CAKE DESIGN - CAKE DESIGN


Hot wheels cake design - Buy wheel bearing - 5x110 wheel adapters.



Hot Wheels Cake Design





hot wheels cake design






    hot wheels
  • Hot Wheels is a thirty minute Saturday morning animated television series broadcast on ABC from 1969 to 1971, under the primary sponsorship of Mattel Toys.

  • Hot Wheels is a brand of die cast toy car, introduced by American toymaker Mattel in 1968. It was the primary competitor of Matchbox until 1996, when Mattel acquired rights to the Matchbox brand from Tyco.

  • Hot Wheels is a Hardy Boys novel.





    design
  • Do or plan (something) with a specific purpose or intention in mind

  • the act of working out the form of something (as by making a sketch or outline or plan); "he contributed to the design of a new instrument"

  • an arrangement scheme; "the awkward design of the keyboard made operation difficult"; "it was an excellent design for living"; "a plan for seating guests"

  • plan: make or work out a plan for; devise; "They contrived to murder their boss"; "design a new sales strategy"; "plan an attack"

  • Decide upon the look and functioning of (a building, garment, or other object), typically by making a detailed drawing of it





    cake
  • A flattish, compact mass of something, esp. soap

  • An item of savory food formed into a flat, round shape, and typically baked or fried

  • patty: small flat mass of chopped food

  • An item of soft, sweet food made from a mixture of flour, shortening, eggs, sugar, and other ingredients, baked and often decorated

  • a block of solid substance (such as soap or wax); "a bar of chocolate"

  • coat: form a coat over; "Dirt had coated her face"











A Milestone Of Time.




A Milestone Of Time.





Here, I post a short story as the photo description.

OLD JOE
---Bruce Parkin


The earliest recollection of my friend Joe was that he was old. I don't mean old, like Mum and Dad, but really OLD. Positively ancient. Calculations done in later life put him around sixty when I started to take notice of him. His eyes were a deep brown, with flecks of gold in them, watery with age, but kind and perceptive. What little hair he had left was grey and hung over his ears. Most of the time his face sported at least a day's growth of beard and he had a paunch, despite the fact that he would ride around on a decrepit and rickety bicycle.

He lived just a few miles away in the next village. To my mother's horror, he smoked a pipe, although he never did so indoors whilst we were there. I always recall that his house had a wonderful sweet aromatic scent derived from years of smoking fragrant tobacco. How he achieved this heady perfume I do not know, but I do know that he grew his own tobacco. He did a lot of things for himself that you or I would not think of doing. He tried, as far as he could, to be self sufficient. He had made a solar panel from an old central heating radiator to supplement his hot water. He had a small orchard at the bottom of his large garden with apples pears, plums, peaches and blackberries. He grew all his own vegetables, kept chickens, so had a constant supply of fresh eggs. He baked his own bread, grew his own grapes and brewed his own wine from them and made his own ice cream, of which he gave me huge amounts.

He was a fount of wisdom, general knowledge, jokes and fantastic tales.

His wife had died some years before I got to know him. He had an old brown and white dog which, when I saw him out on his bike, would run alongside him as he trundled along the narrow lanes. When I was tiny and we all three went for walks, he made me a wooden jointed dog on wheels that I used to pull behind me. Later in life he made me a treacle tin steam turbine, candle and cotton reel tanks and elderberry branch peashooters.

Mum used to tell me not to bother him so much, but he always seemed to have time for me. As I used to go past his house on the way to and from school, I used to call in to see him after school and she would pick me up from there. He would give me some of his home made cake or biscuits and, when the weather was hot, some of his home made lemonade. He always used to tell me that it was his wife who had taught him how to make that delicious drink.

In the Winter time, he would have a large black saucepan bubbling gently on his large solid wood range emitting wonderful odours as incredible tasting soups simmered on the hob. A bowl of that along with a couple of thick slices of bread and butter and I was set up for the hardships of winter. When I was about ten, we had a very hard winter with lots of snow so he made me a sledge. He swore to me that the first one he had made was a "Blue Peter" design and he still had it in his shed. He took me sledging and we had the most wonderful time. Since then, the winters have never produced enough snow, but his sledge still hangs in our garage.

In the Spring, he would take me for walks in the woods with the dog, and, even though I was not all that interested at the time, he would show me all sorts of things; the rabbit warren, the fox's den, the badger sett, dozens of different flowers, which he either knew by name or could find from a little book he carried with him. When I got bored with that, we would play hide and seek and similar games. We would build dams in the stream and make small boats from conker shells and sail them down small waterfalls to see who's could go furthest without capsizing. I would tell him about school and what I had done since I had last seen him and he would suck on his empty pipe and gently ask all sorts of questions about my lessons. Sometimes he would ask me to teach him about something I'd done in class and I would go through it with him. I know now that he knew more about it than I did and was just helping me to learn. Sometimes, when Mum and Dad got on my nerves and upset me, I would go to him to tell him all my troubles and he would always listen carefully to my highly distorted point of view and then, without malice or criticism, he would straighten out the story and then offer different ways for me to sort out my problem.

In the Summer, he would take me fishing in the local ponds and, when I was older, the river. I would return home with frog spawn, tadpoles and small fish all in jars, much to Mum's disgust. She would make me take them back and release them. When we were fishing, he would light up his pipe to keep away the midges and we would sit on the bank in the sunshine. We both wore hats against the sun as I have fair hair and he had none. Whilst we waited for the fish to bite, he would tell me stories about the past, when he was little and about his father and grand











Day 143/365 - Buon Compleanno!




Day 143/365 - Buon Compleanno!





Today was the sixth and final day of my trip to Venice. It's also my birthday. It was a day spent largely disguised as someone cultured and refined rather than as an uncouth Midwestern bumpkin. I got a bit of a late start this morning, but I kicked things off with a trip to the Ca d'Oro Museum (14th-16th Century paintings, sculptures, and tapestries) and then wandered around the last neighborhood of the city I had yet to explore, the residential area of Cannaregio. I saw a church full of Titian paintings and lots of Venetians doing their shopping at the market on a Saturday and then it was time to head back to the hotel and get dressed up for an afternoon at the opera.

Before I left home I found an on-line ticket broker and bought myself a ticket to see the opera "Romeo et Juliette" at Teatro La Fenice, a theater that has certainly earned its name of 'The Phoenix' given that it has burned to a shell and been rebuilt. Twice. It was an afternoon showtime, so before it began I stopped and had a good lunch (pasta and bean soup, squid cooked in its own ink with polenta, ricotta cake, and two glasses of Prosecco) at a restaurant right on the steps of La Fenice.

La Fenice itself is quite a show. It's a little, gilded, cloisonne music box of a theater. Photography inside is prohibited but I managed to sneak a few shots. Judging by the number of camera flashes I saw going off, I wasn't the only one (although I had the decency and sense to turn off my flash at least). The opera was great. They went with a very contemporary staging that had a glam rock, goth, anime, rave feel to it and the set was an enormous record turntable that actually rotated at times and had a moving arm (from which Juliet plucked the needle to stab herself at the end). It was the first time I'd seen a pink-haired Juliet. She even had matching pink laces in her combat boots. She was a phenomenal performer, too. And she was smoking hot. It sounds a bit like an odd choice of production design, especially for such a historical venue, but it really worked well. The story is about 13 and 14 year-olds after all.

After the show I popped into a cafe for hot chocolate and a chocolate and nut covered cookie that served as my birthday cake, and then I went to see another musical performance -- this one by musicians and singers in powdered wigs and 17th century clothes. I had hoped to get to attend a peformance of local composer Antonio Vivaldi's "Four Seasons," but evidently they have a rotating schedule and today it was a sampler platter of baroque classical music pieces and arias from various operas. It was held at the Scuola Grande di San Teodoro -- a big, historic music school and concert hall -- and was quite good.

From there, it was time to head to the casino and see if I had any birthday luck. The casino in Venice is the oldest operating casino in the world and, as it's located in a former palace, it's quite swanky. When I walked in there in my suit I had to resist the urge to announce myself as "Bond, James Bond." That would have blown my sophisticated act real quick. I managed to quickly lose 50 euros in five straight spins of the roulette wheel and then spent a few minutes wandering through the various rooms with one hand in my pocket and a glass of Prosecco in the other, fronting like I was cool and sophisticated while I checked out the paintings and chandeliers and other gamblers. It was definitely a high-roller kind of a place. There were people making bets of hundreds and even thousands of euros at a time, which made my little ten euro bets seem a bit anemic.

Being in Venice is like living inside a poem. Tomorrow we reach the final stanza for me however, and I have to pack up my belongings and head back to the decidedly more prosaic DC. It's been one hell of a trip.

(February 28, 2009)









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